Leslie Marmon Silko’S “Ceremony”: The Tale Of Two Literary Styles

Monica Morgan Professor Broeckel English 241 October 12, 2009 Leslie Marmon Silko’s “Ceremony”: The Tale of ii Literary Styles “Ceremony” is a tale of a greenish man’s struggle with coming to terms with him ego and the present(a) state of his Indian lot. Being of bi-racial descent and the struggle amidst beliefs in elder and new customs argon the root problems that straightforward themselves within the protagonist’s graphic intellectual and corporate illnesses. Leslie Marmon Silko prepares us for a harmonious resolution within self and tradition by weaving rhyme and prose to bum abouther. Throughout the twaddle the free verse poetry either sets up the near prose or stark(a)s or exempts it, showing that two completely magnetic variation styles can co-exist, or indeed depend upon each new(prenominal) to complete the story. Tayo, in trying to find a resume for his corporeal illness and disturbing dreams, seeks ou t the help of Ku’oosh, a conventional medication man. Tayo feels that his sickness is unwarranted because he, “ neer killed an enemy” (33), and “never even moved(p) them” (33). He relies on tradition as a precaution for his healing just in case he may have killed unknowingly.

The poem that follows helps explain how in handed-down Indian folklore warriors who have killed or touched a fall enemy “had things they must do otherwise K’oo’ko would haunt their dreams” (34). Herein is the need for Tayo’s physical and mental journeys. Although Tayo feels that h e is solely responsible for the enlist his ! people are suffering through, his father figure Josiah explains that “The old people use to say that droughts happen when people forget, when people misbehave” (42). To honor this point, the following free verse poetry shows how the people were interpreted in by the magic of a Ck’o’yo medicine man. They thought “this magic could give animateness to plants and animals”...If you want to get a full essay, order it on our website: BestEssayCheap.com

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