shit Skrzyneckis poems Feliks Skrzynecki and Postcard both explore complex judgment about belong. Both poems suggest that belong comes from a coalition to pull and people, people can choose to belong and that belonging can be modified over time. Feliks in lance Skzyneckis poem Feliks Skzynecki discovers a coda lodge to places and people. He is suck up at the beginning of the poem as loving his garden ilk an only child, sweeping its paths/ Ten extension around the world. The simile and hyperbole evoke a puff out of his dedication to his garden and his paternal olfactory sensations towards it, connecting to this place like a father connects to an only child. His soul of belonging overly comes from his close linkup to his Polish superstars who reminisced/ About farms where paddocks flowered/ [] Horses they bred []. The cumulation of decreed verbs conveys a sense of their nostalgia and shared pride in their cultural hereditary pattern; a heritage that connects them to inviteher and fosters a sense of belonging. Contrastingly, in Postcard, Peter Skrzynecki does not feel the same sense of connection to his homeland that his father feels, only rather feels alienate and disengaged.
The postcard of Warsaw sent by a friend Haunts him since its arrival. The eerie connotations of haunts and its position on a patronage by itself portray the personas unease and uncertain connection to this place. This contrasts to his friends perception that his parents go forth react positively to this postcard, feeling a sense of connection to it: He requests I point it/ To my parents. The separation of I and his pare nts on a separate line suggests their differ! ent perceptions to the postcard. This alienation from this place comes from his lack of direct friendship of it, contrasting with Felikss time spend in his
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